Online Magazine for Photography.
„These images are a selection of work from 2009 – 2011. My photography and photomontage pieces come from personal exploration and childhood superstitions documented from behind closed doors. I shoot within the familiar walls of home and surroundings working often in the tightest corners or crouched low to the floorboards.
I want to communicate with my own ghosts, to produce and document a voice that others might recognize. (mehr …)
Non avrei voluto essere d’altro che specchio
e di sponda restituire in superficie
tutto il fondo incolorire della luce
a chi su di me come da solo
rideva un proprio volto sconosciuto.
E invece ne trattengo dietro una macchia un colore
e a rispondere poi qualcosa di nuovo:
sono ancora incapace.I wished I was made of nothing else than mirror glass
giving back off the cushion on the surface
all the deep encoloring of light
to the one smiling toward me as if alone
an unknown face of his own.
Instead I hold back a spot a colour
and to answer something new:
I am still unable.Poem by Pietro’s friend Alfio Farbo (mehr …)
UNDER THE LEAVES
2010 – ongoing
„Under the leaves, something is happening, something is growing that will not abate until they return there for good“
Under the Leaves is a work striving to change our perception of vegetation. It is imbued with reverence for the silence and constancy of trees and flora. It intends to give a presence to vegetation, to emphasize that it is living of another kind of life than ours, that we cannot fathom, unconscious, obscure. (mehr …)
We are delighted to present the fabulous work „Between Worlds“ by Polixeni Papapetrou here on Actual Colors May Vary:
In Between Worlds, Australian artist Polixeni Papapetrou has created photographs of her children and their friends dressed as animals dancing upon their own liminal world. In landscapes on the border of sea and land, forest and plain, land and air, the children perform identities other than their own, liberating them from the stereotypes that contemporary culture imposes on them. (mehr …)
Paper and Glass (2008-2011) is a collection of images made up of re-photographed photographs, from ephemeral newspaper pages to treasured family snaps.
By intervening at the surface of each original image in-frame, meanings become redirected into fragmentary, ambiguous and puzzle like interplays of perception and context. (mehr …)
‚NOT EVEN BUT ALMOST‘ (NEBA), 2008-2010 is an investigative look at the unsatisfying structures and ideals of contemporary life. Through the unconscious creation of perpetually unsatisfactory situations, certain inherent flaws in human nature are highlighted. Control and power are translated into containment and confinement. The harmonizing intent of constructed nature creates yet another spectacle. The intuited energy I find everywhere, in everything heightens my sensitivity to the cyclic, almost-understanding these conditions create. In this way, the mundane becomes the monumental.
Through this work I look to present my interpretation of the pursuit of happiness as a disguise for a larger quest for wholeness.“ (mehr …)
„Frail“ (2010 – 2011)
‘Frail’ is about those everyday moments when everything collapses. Small instants where our life changes, spins and breaks. Suspended moments in which something has just happened or is about to. Situations in which time, objects and places lose their physical nature and are full of us. Tiny fragments of life which, when put together, redefine our idea of control of ourselves and the world around us. We are vulnerable in the everyday. (mehr …)
„Few people know what they look like from behind. This book consists photographs selected from my work between 2003 and 2007, might be seen as mirrors in a fitting room.
During the tough process of sequencing, scanning and dust-removing, I repeatedly stared at these portraitures and their fine details, sometimes seeing nothing, sometimes seeing something behind what I was looking at.“
Zheng Yaohua (mehr …)
Produced over a period of two years, Attention Seekers are a personal portrayal and playful response to everyday scenes, arbitrary spaces and people encountered by photographer Miriam O’ Connor.
While the ordinary or the everyday are habitually tied up with concepts of familiarity and routine, it is here that O’ Connor discovers infinite possibilities for image making, slicing out its details which petition for attention and assimilate allure. The series is characterised by its fragmentary nature, where the interplay of colour, form, scale and sequencing exhibit ambiguous clues and mischievous impressions of O’ Connor’s voyages into the familiar terrain of the everyday. (mehr …)
André Kertész – Photographs 11 June to 11 September 2011 Martin-Gropius-Bau, Berlin