Online Magazine for Photography.
My Last Day At Seventeen by Doug DuBois
currently on view from 3rd – 30th April 2014
at the University of Ulster Gallery, Belfast
In partnership with Sirius Arts Centre, Cobh
Part of the exhibition program of the Belfast Photo Festival | Youth Edition 2014 (mehr …)
Exhibition: 20.02. – 05.04.2014
Michael Hoppen Gallery
3 Jubilee Place, London, SW3 3TD
It is difficult to summarise Sarah Moon’s fantastical photography – almost thirty years of image making has made Sarah Moon a legend in her own lifetime. Well known for her personalised commercial and editorial work since the early 1970s, Moon has continued to investigate a dream world of her own invention, without repetition or compromise. For more than thirty-five years, Moon’s heart-stopping fashion images have bucked every so-called commercial trend, from the need to establish eye contact – it is only rarely there – to the belief that the most alluring fashion photograph must be glossy, even hyper-real.
‘About Colour’ brings together new, old and unseen works, photographed exclusively in colour. (mehr …)
Juliane Eirich | Itoshima
Vernissage & Buchpräsentation: Freitag, 28.02.2014, 19 Uhr
(In Anwesenheit der Künstlerin)
25books, Brunnenstr. 152, 10115 Berlin
Juliane Eirich kannte Japan schon von früheren Besuchen, als sie im Sommer 2011 zurückkehrte, um hier zu arbeiten. Aber dieses Mal war vieles anders. Einige Monate zuvor hatte sich die Reaktorkatastrophe von Fukushima ereignet. Die Begeisterung für und die Neugier auf das fremde Land mischte sich mit einem unterschwelligen Gefühl der Angst und der Bedrohung. (mehr …)
For four years, Jenny Fitz, a graduate of the Neuen Schule für Fotografie Berlin, accompanied a young actor for her project Kammerspiel. In her work, the photographer questions the habitus and role-play of people from her social environment.
At first it was curiosity that made me take the pictures, and later the urge to grasp our relationship. It’s a story about boundaries. Getting close. Pulling away. What constantly fascinated me, was the unpredictability with which he confronted me and the camera.“ (mehr …)
…what people don’t understand… is that what happens in the market is pivotal to their lives… not on the periphery…but slap, bang, in the middle…
(From telephone conversation with trader, name withheld, Dealing Room, Investment Bank, London, February 2013
After recent installations in Ireland at both the Gallery of Photography and Belfast Exposed, Mark Curran’s long-term project on the global stock and commodity markets titled, The Market, is now travelling to Paris:
Mark Curran « The Market »
Centre Culturel Irlandais in Paris
Vernissage: 30 January 2014, 6.30-8pm
Exhibition: 31 January – 2 March 2014 (mehr …)
„Passengers“ is the result of an observation Dagmar Keller and Martin Wittwer made at night at a bus station while travelling through Poland.
For a moment, the passengers on an old bus, obscured behind stained, ice-covered windows, in the pale light of the bus station had the appearance of figures in a painting. Travellers, fallen out of time. Tired, lost in thought, their faces drawn by sadness or lit up with joy – so close and yet distanced behind the glass. Dagmar Keller and Martin Wittwer have preserved those quiet, fleeting moments in their series “Passengers”. (mehr …)
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J A Mortram is a documentary photographer and environmental portraitist based in Dereham, East Anglia, UK. Jim’s work is centred on creating an expansive long-form photographic essay Small Town Inertia which explores the intimate and untold stories of marginalised individuals in the small rural community in which he lives. (mehr …)
As you already may have noticed, ACMV has recently launched a new project we’re pretty excited about: Local Colors May Vary (LCMV) – a series of curated slideshows, combining contemporary fine-art photography with live music by international artists – with the aim of creating a varicolored overall picture of the respective theme (country or city), …
I source original, censored packaging from Iran.
Packaging in which the women have been erased.
Inked out, individually, by hand.I remove the blacked-out figure from the surrounding image,
and a transformation occurs. (mehr …)